SOLO
compulsive fixations (2024)
solo cello — 3’30”
written for Darya Lutsenko, MCME Academy, Tchiakovsky-city
habitual compulsions (2024)
solo alto saxophone- c.10'
written for the IMPULS Festival
Idle propulsions (2023)
Bb clarinet — 7’
Profile (2023)
tenor sax — 4’30”
written for Naomi Sullivan, Britten Studio
Dichotomy (2022)
solo guitar — 6’
CONCRETE (2022)
oboe and people with phones — open duration
CHAMBER
Contextualising the lack of context as the context (2024)
flute, clarinet, percussion, piano, 2 violins, viola, cello — 14’
commissioned by AMFS, written for Aspen Contemporary Ensemble
Objects that fail as they deteriorate (2024)
string quartet — 12’
written for Quatuor Bozzini
surfaces that hide as they become more familiar (2023)
flute, oboe, clarinet, b. clarinet, bassoon, 2 violins, viola, cello, double bass —10’
Local Paths (2023)
flute, Bb clarinet, violin, cello — 8’
written for SaM
Tree Music (2023)
4 melodicas — open duration
written for Purcell composers@60 project
fisherman (2023)
wind quintet, percussion — 5’
written for JRAM
returns (2022)
string quartet— 7’
written for the Carducci String Quartet
overlap, underlap (2022)
sop saxophone, tenor saxophone, Bb clarinet — 6’
Ebbing (2022)
wind quintet — 8’
Some Variations on Some Variations (2022)
flexible ensemble — c. 8-15’
written for CoMA
A series of expanding frames (2022)
flute, clarinet, violin, cello — 8’30”
Unnatural Oscillations
2 violins, viola, 2 cellos — (2022)
l oo p ingm usi i iii c (2022)
oboe, bassoon, marimba, E harmonica, piano, accordion— 7’30”
fragments (2022)
flute, bass clarinet, electric gtr, trombone, violin, cello— 6’
written for members of London Sinfonietta and Junior Trinity
Vanishing Forms (2022)
flute, oboe, clarinet, vibraphone, harp, guitar, piano, accordion, violin, viola, violoncello — 10’
gestures (2022)
clarinet, nyckelharpa and marimba — 4’
written for SaM
DUO/TRIO
Confabulations with an A.I. Bot (A.L.I.C.E.) (2024)
soprano, piano] — 15’30”
written for Amalia Crevani and Rafe Schaberg
Under moss shrouded driftwood (2024)
clarinet, accordion, cello — 15’
written for Roadrunner trio
Twine (2023)
tenor trombone and violin — 11’30”
written for Marie Schreer and Rory Ingham
ORCHESTRAL
OVERLAPPING FRAMES (2024)
large orchestra (triple winds) — 10’
written for ACA Orchestra
slacktide, warbling (2023)
orchestra (double winds) — 6’30”
written for Purcell Orchestra
splintering (2022)
string orchestra] — c.7-9’
written for CoMA
ELECTRONIC/ FIXED MEDIA
ngandcoilingandcoili (2023)
b. cl pno, electronics 3 — 9'
written for Sarah Nicholls and Carl Raven, Dartington Festival
Sibelius Studies: For your Solo Sibelius for Sibelius (2022)
fixed audiovisual — 6'
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